Bruce campbell evil dead11/13/2022 ![]() To be totally frank, Army of Darkness shouldn’t work. In order to save the kingdom and return to his proper place in time, Ash is forced to seek out the Necronomicon and lead the Once and Future King in battle against - well, it’s not called Army of Darkness for nothing. Once there, Ash realizes - through delightfully dangerous means - that King Arthur and his people are under attack from an army of Deadites. ![]() It’s streaming now on HBO Max here’s why you should add Army of Darkness to your watchlist ASAP.Īlso read: You need to watch the most eccentric sci-fi thriller on Netflix ASAPĪrmy of Darkness picks up where Evil Dead II left off, with Ash Williams (Bruce Campbell) and his Oldsmobile teleported back in time to 1300 AD. The result of this spontaneous trip back through centuries? One of the most ludicrous, fun, and playful time travel movies you’re likely to see. Instead, consider the franchise’s third installment, Army of Darkness, which leaned even further into Evil Dead 2’s comedic sensibilities while taking the series somewhere no viewer could have seen coming: the Middle Ages. One of the greatest DIY filmmakers ever, Raimi arrived on the Hollywood scene with 1981’s The Evil Dead, a no-budget instant classic he followed up six years later with the gonzo horror-comedy thrillfest that is Evil Dead II.īut we’re not here to discuss the first Evil Dead, nor its memorable sequel. ![]() ![]() No filmmaker has proven as capable of creating memorable horror comedies as Sam Raimi, who’s significantly shaped modern perceptions of the genre. Oftentimes, most horror comedies fail to ride these tonal tightropes when they do (see: Shaun of the Dead, The Cabin in the Woods), they can offer audiences thrilling, unpredictable viewing experiences like no other. Few genres are harder to get right than horror-comedy.īlending the gruesome and terrifying with the hilarious and absurd requires a deft hand behind the camera, one capable of balancing vastly different tones and shifting between them on a scene-to-scene, even moment-to-moment basis. ![]()
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